Sunday, February 22, 2015

"RETURN TO CRANFORD" (2009) Photo Gallery



Below are images from "RETURN TO CRANFORD", the 2009 sequel to the 2007 miniseries, "CRANFORD". Judi Dench starred in this two-part series: 


                                        "RETURN TO CRANFORD" (2009) Photo Gallery






















































Thursday, February 19, 2015

"SAN FRANCISCO" (1936) Review




"SAN FRANCISCO" (1936) Review

I just recently watched the 1936 disaster film, ”SAN FRANCISCO”, which starred Clark Gable, Jeanette MacDonald, Spencer Tracy and Jack Holt. Released 30 years after the actual event, the movie is basically about a Barbary Coast saloonkeeper (Gable) and a Nob Hill impresario (Holt) who became rivals for the affections of a beautiful singer (MacDonald), both personally and professionally in 1906 San Francisco. The story culminated in the deadly April 18, 1906 earthquake that devastated the city. 

In the movie, a gambling hall tycoon named Blackie Norton (Gable) hires an impoverished but classically-trained singer from Colorado named Mary Blake (MacDonald). Mary also attracts the attention of a wealthy Nob Hill patron named Jack Burley (Holt), who believes that she is destined for a better career as an opera singer. Mary becomes a star attraction at Blackie’s saloon, and a romance develops between them. Complications arise when she is also courted by Burley. He also offers her an opportunity to sing in the opera. Meanwhile, Blackie's childhood friend, Roman Catholic Father Tim Mullen (Tracy), keeps trying to reform him, while the other nightclub owners attempt to convince Norton to run for the City and County of San Francisco Board of Supervisors in order to protect their crooked interests. Despite Father Tim's best efforts, Blackie remains a jaunty Barbary Coast atheist until the famous 1906 earthquake devastates the city. He "finds God" upon discovering that had Mary survived.

Basically, ”SAN FRANCISCO” is an excellent movie filled with vitality, good performances and great music. Director Woody Van Dyke did an excellent job of capturing the color and energy of San Francisco during the Gilded Age. He was ably supported by the movie’s Assistant Director (Joseph M. Newman) and montage expert (Slavko Vorkapich). Composer Bronislaw Kaper and lyricist Gus Kahn wrote the now famous title song, performed by MacDonald. One of the best moments in the film occurred when MacDonald’s character announces her intention of performing the song in the movie’s Chicken’s Ball, producing applause and cries of joy from the audience. As for the famous earthquake itself . . . I am amazed that after seventy years or so, I still find it impressive. To this day, the earthquake montage is considered one of the standards that all disaster films are compared with. In fact, Assistant Director Newman won a special Academy Awards for his work.

Robert Hopkins (who received an Oscar nomination) wrote the story for ”SAN FRANCISCO” and the famous Anita Loos wrote the screenplay. Hopkins and Loos created a good, solid story. But I have to be honest that I found nothing remarkable about it. It seemed like your basic Gable programmer from the 1930s that easily could have been set during any time period in American history . . . well, except for the actual earthquake. I do have one major problem with the movie’s plot – namely its religious subplot in which Father Mullen spends most of his time trying to redeem Blackie. Quite frankly, it struck me as heavy-handed and a little out of place. Perhaps Hopkins and Loos had intended for the scene in which Blackie found Mary offering compassion to some of the earthquake’s survivors to be a tender and emotional moment. It could have been . . . if they had left out the heavy religious theme. 

The only good thing about the religious aspect of the story was Spencer Tracy’s presence in the film. One cannot deny that he gave the best performance in the movie. Well, he and veteran actress, Jessie Ralph, who portrayed Jack Burley’s Irish-born mother. But Tracy’s presence also meant that one had to deal with the movie’s religious subplot. And as much as I liked Tracy in the film, I think it could have done without him. Jeanette MacDonald gave a solid performance as the saloon hall singer-turned opera diva, Mary Blake. However . . . I found MacDonald’s singing more remarkable than her character. Pardon me for saying this but Mary is one boring woman. Rather typical of the female characters that Gable’s characters had romanced in his movies during the mid and late 1930s. I find it amazing that two dynamic men like Blackie and Burley were so dazzled by her. Both Clark Gable and Jack Holt gave solid performances as the two rivals wooing for Mary’s hand. Ironically, despite the differences in their characters’ backgrounds, they were chillingly alike. Both were charming, gregarious and extremely underhanded men. Quite frankly, I found it amazing that Mary could prefer one over the other. 

Despite some flaws – the most obvious being the religious subplot that turned out to be as subtle as a rampaging elephant - ”SAN FRANCISCO” is a first-class, rousing movie filled with music, drama, laughs and one of the best special effect sequences in movie history. I heartily recommend it.

Tuesday, February 10, 2015

"PIRATES OF THE CARIBBEAN: ON STRANGER TIDES" (2011) Photo Gallery



Below are images from "PIRATES OF THE CARIBBEAN: ON STRANGER TIDES", the fourth entry in the PIRATES OF THE CARIBBEAN franchise. Directed by Rob Marshall, the movie stars Johnny Depp, Geoffrey Rush, Penelope Cruz and Ian McShane:


"PIRATES OF THE CARIBBEAN: ON STRANGER TIDES" (2011) Photo Gallery





































Saturday, February 7, 2015

"The Corellian Connection" [PG-13] - Chapter 7





"THE CORELLIAN CONNECTION" 

CHAPTER SEVEN

CORELLIAN SECTOR

All eyes now fell upon a very surprised Anakin, who regarded the senator's sister with surprise. And suspicion. "How . . ." He turned away and inhaled sharply. "How did you know?"

Thalia calmly replied, "I recognized you from the HoloNet News reports during the war. And as a former member of Andalian Intelligence, I had gathered reports of the war from Coruscant."

Han regarded Anakin with deep admiration. "You're Anakin Skywalker? You're one of the best pilots in the galaxy! And the only human who's ever won the Boonta Eve Classic!"

Confusion filled Senator Yeb's eyes. "Boonta Eve's?"

"It's a podrace on Tatooine," Anakin explained. "I won that race a long time ago." He stared at Han. "How did you know about that race?"

Han shrugged his shoulders. "A lot of pilots know about that race. How often does a human win at podracing?"

"Forget about the podracing!" Senator Yeb retorted. "I'm still trying to wrap my mind . . ." He broke off and stared at Anakin. "You're a Jedi Knight?"

Anakin corrected the other man. "Former . . . Jedi, Senator. Now, if you would all please leave so I can prepare this food." The others began to file out of the galley, when Anakin clamped a hand on Han's shoulder. "Except for you, Mr. Solo. You'll have to earn your keep on this trip."

"But I don't know how to cook," Han protested.

"Neither did I, until a year ago. Let's go."

The two Andalians exchanged amused looks and left the galley. Anakin handed his apron over to Han and the pair commenced upon preparing the meal.

--------- 

MOROBE SECTOR

As the Alberforce flew through the dark reaches of the Morobe Sector, Padme made her way toward the star skiff's cockpit. She found the captain furiously punching buttons on the control console. A deep frown creased the redhead's brow. "Is there a problem, Captain?" Padme asked.

The other woman sat back into her seat with a deep sigh. "We might have some company. The sensors have picked up signs of another starship. More than one, as a matter of fact."

Padme felt a surge of anxiety. "The Imperials?" Had their departure from Alderaan been detected?

"It's possible," Captain Sen grimly replied. "And it looks as if I may have been right about being more than one ship."

Several minutes passed before Padme saw an Imperial ship hover into view. She inhaled sharply. Captain Sen froze in her chair, as if anticipating some kind of communication from the ship. Sure enough, a man's voice crackled from the Alberforce's communication system. "This is the Imperial ship Exactor. What is your business in this sector?"

The two women exchanged uneasy looks. Captain Sen took a deep breath and replied, "I'm Captain Sen of the Alberforce. I'm in route to the Melinda/Daan homeworld with passengers. How may I help you?"

"Transmit your ship's identification code," the voice ordered. Captain Sen removed an identification chip from the console and inserted it into a slot. A high-speed sound emitted from the console's computer for a few seconds. When it ended, the Imperial officer added, "You are clear to proceed."

A breathless Captain Sen replied, "Thank you." And the Alberforce continued its journey, leaving the Imperial warships in the wake of its path. 

By the time the skiff was alone in space, Padme exhaled sharply. "That was a close call," she murmured.

"Too close for my comfort," the captain said. "It's a good thing my identification card indicated that we had left Belasco. I wonder where they are headed? There were two other Imperial warships with the Exactor. The Empire must be planning another invasion."

Padme frowned at the idea. "Invasion? Of which system? The Empire had just annexed Andalia not long ago. Most, if not all of the old Separatist systems are now under Imperial control."

Captain Sen shrugged her shoulders. "It could be that more Jedi have been found in another system."

One name popped into Padme's mind. Anakin. Had Palpatine finally discovered him? Or had the Emperor charged him with completely destroying the endangered Jedi? "I hope not," Padme murmured. "For their sake. It's bad enough that they have been accused of killing me during the last days of the war." She sighed. "If only I could deny that accusation."

"It's possible that a group of Jedi are planning a resistance against the Empire," Captain Sen replied. "Then again, I don't think there are enough of them around, anymore. The Clone War and the Jedi Purge had pretty much thinned their ranks." Padme winced, aware that Anakin was partially responsible for the latter. The captain continued, "I can think of a few Jedi who would love to rid the galaxy of the Emperor."

Another frown appeared on Padme's face. "You know a few Jedi Knights?"

"I've smuggled a few to Alderaan. Queen Breha and Prince Bail have given sanctuary to them right after the war." The captain added, "Along with a few other war refugees."

Padme murmured, "I had no idea. About the Jedi, I mean." Now, she understood why Bail and Breha had no qualms about offering sanctuary to her and the children.

A sigh left Captain Sen's mouth. "If those Imperial ships are after more Jedi refugees, I wish I was there to help them escape."

Padme found herself wishing the same. But she could not allow her idealism to overcome her sense of survival. Not while she had two infants of great Force potential to protect.

---------- 

SARAPIN SYSTEM

The Javian Hawk's four inhabitants finished the last of their midday meal of Nerfburgers. Anakin and Han collected the dirty plates and cups, allowing the two passengers a time for rest. Once the pair had cleaned the utensils, Han asked the pilot, "Can I join you in the cockpit?"

Anakin suspected this was an attempt by the boy to form a closer acquaintance. His first instinct was to insist that Han remain with the other passengers. But the boy's pleading eyes reminded Anakin of that nine year-old slave boy who had harbored a desire to see the galaxy beyond Tatooine. That idealistic young boy, who no longer existed . . . much to his regret. A heavy sigh escaped from Anakin's mouth. "Sure," he mumbled. "Why not?"

A wide smile stretched Han's lips. Anakin led him to the cockpit. "Strap yourself in," the former Jedi ordered.

"Why?" Han demanded.

"Because if something happens unexpectedly, I don't want to see your body fly beyond the cockpit shield."

A grimace touched Han's lips, as he did as Anakin ordered. The latter switched off the starship's autopilot system and resumed flying the Hawk. A comfortable silence fell between the young man and the boy, until the latter broke it, five minutes later. "What are you going to do with me when we reach wherever you're going?" Han asked. "And where are we going, by the way?"

Anakin replied, "The answer to your second question is we're heading for Averam. As for the first question . . ." He hesitated and pressed his lips together. "Well, I don't know. Perhaps Senator Yeb might be able to find a place or home for you, once we reach Averam."

"What kind of place?" A suspicious scowl appeared on Han's face. "I don't wanna be stuck in some orphanage."

"Look . . . Han," Anakin began, "you can't stay with me. I'm the last person who would be able to give you a stable home. Look at me! I'm a former Jedi Knight-turned Sith apprentice-turned smuggler. I'm wanted by the Empire. Even worse, I have blood on my hands. Staying with me will be detrimental to your health. Believe me."

Han's mouth hung open. "So you weren't kidding about killings others, huh?"

"No, I wasn't."

A third voice asked, "You have killed others?" Both Anakin and Han whirled around in their seats to find Senator Yeb standing behind them. The latter stared at Anakin. "Whom exactly did you kill?"

Another sigh left Anakin's mouth. Since he was about to tell Han about the Jedi Purge, he figured that the senator might as well know. "Members of the Jedi Order," he coolly replied. "At the Temple. I had killed padawans, knights, masters and younglings. I also killed the Separatist leaders on Mustafar, on the Emperor's orders."

Shock and confusion lit up the senator's dark eyes. Han merely gaped at Anakin. "You . . ." Senator Yeb broke off and inhaled sharply. "You killed all of those people?"

Anakin's gaze returned to the dark space beyond the cockpit shields. "Yes, Senator," he replied in a monotone voice.

"You were a Jedi Knight!" Senator Yeb exclaimed. "The Hero With No Fear! I don't understand." He paused, as realization gleamed in his eyes. "You took part in the Jedi Purge?"

A long pause followed. Memories of the Jedi Temple's destruction assailed Anakin's mind. He took a deep breath and answered, "Yes I did, Senator. In fact, I had led the attack upon the Temple."

"But why?" the senator demanded. The question also lingered in Han's eyes.

After another long pause, Anakin curtly replied, "For reasons I consider personal. The fact is, Senator, the Chancellor . . . or should I say the Emperor had led me to believe that he could help me with this matter. Unfortunately, I ended up pledging myself as his Sith apprentice in exchange for his help. Which led me to leading the attack upon the Jedi Temple that night."

"You were a Sith . . ." Senator Yeb paused. "But why would you pledge yourself to the Emperor . . ." His eyes grew wide with shock. "Wait. You mean to say that the . . ."

A sardonic smile curved Anakin's lips. "That's right, Senator. The Emperor Palpatine is a Sith Lord. Darth Sidious. And I was his apprentice, Darth Vader. After I had killed the Separatist leaders . . ." He paused, as more memories of Mustafar overwhelmed him - his attack upon Padme and the duel against Obi-Wan. He took a deep breath. "Something happened to me . . . on Mustafar. I . . . I guess I had realized that if I continue to be Lord Sidious' apprentice, my life would have become even worse. So I walked away. And because of me, the galaxy is now under the rule of a Sith Lord."

"What's a Sith Lord?" Han asked.

Anakin replied, "A Jedi's enemy. The Sith use the Force for . . . well, less than pleasant reasons. For power." An unpleasant laugh escaped his mouth. "Funny. I had wanted that power to save someone I loved. Only I ended up losing that person, anyway. As for the Emperor, he no longer has an apprentice. Which is something to be thankful for."

"Why?" Han demanded.

"Because the Sith always exist in pairs. A master and an apprentice. Sidious has lost both Dooku and myself." Anakin paused before he grimly added, "Which means that he'll either try to lure me back or search for a new apprentice."

Senator Yeb's next words took Anakin by surprise. "But he already has a new apprentice. His name is Darth Rasche."

Anakin stared at Yeb in shock. "Say that again?"

The senator repeated, "The Emperor . . . or Darth Sidious, as you called him, has a new apprentice. I've seen him on Andalia. Haven't you heard about the death of Anjuli Nab? She was a Jedi Knight, such as yourself."

Anakin murmured regretfully, "I knew her."

"Well, she was killed by this new apprentice, Darth Rasche," Senator Yeb continued. "She had recognized him by his real name. Only I've forgotten it, at the moment. Apparently, he is also a former Jedi."

Darth Rasche. The news stunned Anakin beyond belief. Sidious had discovered another apprentice from the ranks of the Jedi Order? He wondered how long it had taken his former Sith master to accomplish this deed. Anakin asked for a description of the Sith apprentice.

With a shrug of his shoulders, the senator began, "He's tall. Like you. Perhaps a little taller and a little heavier. He has dark hair and . . ." A series of loud beeps from the ship's console interrupted Yeb. "What's that?"

Anakin frowned at the console. "It's the Hawk's sensor array. There's another starship nearby. Only I . . ." He broke off, as a large, triangular-shaped starship loomed above the Hawk. An Imperial warship. Anakin sighed. "I've got a very bad feeling about this."

---------- 

KASHYYYK SYSTEM

By the time the Imperial Star Destroyer Exactor arrived at the Wookie homeworld, the Battle of Kashyyyk had begun in earnest. Grand Moff Tarkin had just arrived an hour or two earlier, on the Executrix. The two commanders met aboard the latter's ship to discuss on how to deal with the Wookies and their Jedi allies.

"If you must know, Lord Rasche," Tarkin stated, "I am not interested in the Jedi's presence on Kashyyk. I am more interested in the Wookies and how they can serve the Empire." The Eriadu native made it clear that he shared the Emperor's view on human superiority over other species and simply wanted the Wookies as slave labor for the construction of the new super weapon.

Rasche frowned. "What about the Geonosians? I thought you were using them as slave labor."

"Constructing the new weapon will take more than the Geonosians," Tarkin replied airily. "Surely you must have realized this, my lord. You've seen the weapon yourself." His eyes narrowed dangerously. "Or do you have some kind of affinity for these . . . Wookies?"

The Sith Lord seared the older man with a malevolent glare. "I do not take lightly to others making assumptions about me, Lord Tarkin. Such actions tend to bring out the less pleasant side of my nature."

The Imperial officer responded with a polite bow. "Your pardon, Lord Rasche."

Soon, commanders from other Imperial ships met with the pair and the conversation resumed to the strategy to be deployed against Kashyyyk. Both Rasche and Tarkin decided that the Sith Lord would lead a contingent of troops to hunt down the Jedi. Tarkin, on the other hand, would lead the main Imperial invasion against the planet. A few fleet commanders wanted to bombard all of Kashyyk's cities. But Rasche overruled them. Instead, he ordered a direct assault on several cities that included Kachirho, Rwookrrorro, Kepitenochan, Okikuti, and Chenachochan.

Once the conference ended, the young Sith Lord flew a Theta-class T-2c shuttle down to the city of Kachirho, accompanied by a Clone officer named Commander Appo and a squad of troops. Despite the heavy anti-fire the shuttle had encountered, it eventually Rasche and his contingent to the Wookie city. There, they learned that Imperial incursions were being repulsed by fierce Wookie opposition, resulting in the death of many troops.

"My Lord," Commander Appo commented, "perhaps you should rescind your order and allow the bombardment of the entire planet. These Wookies seemed to be resisting a lot stronger than we thought they would."

A sigh left Rasche's mouth. The wanton slaughter of a species did not particularly appeal to him, Sith Lord or not. But if the Wookies posed a threat to his ability to hunt down the Jedi, they had to be dealt with. "Perhaps you're right, Commander." Using the shuttle's communication system, he sent a message to Grand Moff Tarkin and rescinded his previous orders and ordered a new one to launch a full bombardment of all Wookie settlements on Kashyyyk.

Upon leaving the shuttle, Rasche, Appo and the squad accompanying them, reached the outskirts of Kachirho. The Sith Lord's hopes of encountering Anakin Skywalker were dashed when he found himself facing a group of Jedi, younger than himself. The leader of this group turned out to be Olee Starstone, a young padawan he had first encountered on Murkhana with Jedi Masters Bol Chatak and Roan Shryne, nearly eight months ago. Rasche managed to kill Chatak, but Starstone and Shryne had escaped. Now, he had finally caught up with the former Jedi padawan. The Sith Lord wondered if Shryne was nearby.

“Olee Starstone,” Rasche announced with contempt dripping from his voice. “We meet again. Giving me the chance to finish what I had started on Murkhana?”

The dark-haired, blue-eyed woman spat out furiously, “Traitor! Murderer!”

“If you’re speaking of your former master,” Rasche retorted, “may I remind you that it was she who had attacked first?” 

Young Starstone let out a furious cry and attacked the Sith Lord. In all honesty, Rasche did not consider her much of a challenge. But her rage managed to prevent her from being immediately killed. Rasche and Starstone exchanged a series of parries and thrusts. Before the Sith Lord could finish off his opponent, several men appeared on the scene. One of them lit up a lightsaber and decapitated Commander Appo’s head. Jedi Master Roan Shryne had arrived.


END OF CHAPTER SEVEN

Wednesday, February 4, 2015

"JANE EYRE" (1996) Review

kinopoisk.ru-Jane-Eyre-1303436


"JANE EYRE" (1996) Review

According to the Wikipedia website, there have been sixteen film adaptations of Charlotte Brontë's 1847 novel, "Jane Eyre". And there have been ten television adaptations of the novel. That is a hell of a lot of adaptations for one novel. A lot. And judging by the numbers, I have no immediate plan to see every movie or television adaptation. But I have seen at least five or six adaptations. And one of them is Franco Zeffirelli's 1996 movie adaptation. 

Adapted by Zeffirelli and Hugh Whitemore, "JANE EYRE" told the story of a 19th century English orphan named Jane Eyre, who is rejected by her aunt and sent to a strict girls school. After eight years as a student and two years as an instructor, Jane is hired as governess to the French ward of Edward Rochester, the brooding owner of an estate in Yorkshire called Thornfield Hall. Although Jane possesses a mild, unprepossing manner, she also possesses strong internal passions and strength in character that her employer finds attractive. Eventually, Jane and her Mr. Rochester fall in love. But a deep secret that exists at Thornfield Hall threatens their future relationship and forces Jane to mature in a way she did not expect.

I could have delved more into the movie's plot, but why bother? The story of Jane Eyre is so familiar and has been recounted so many times that I believe it would be best to describe how I feel about this adaptation. And how do I feel about it? Honestly, it is not one of my favorite adaptations. Mind you, it is not terrible. In fact, I find it pretty solid. The movie's production values seemed to be first rate. I was impressed by Roger Hall's production designs, which did a very good job of re-creating Northern England of the 1830s and 1840s. Jenny Beavan, whom I am beginning to believe is one of the best costume designers on both sides of the Atlantic, did an excellent job in re-creating the fashions for both decades. And I also liked how David Watkin's photography captured the beauty of Haddon Hall in Derbyshire, which served as the Rochester estate, Thornfield Hall.

I would probably rate Zeffirelli and Whitemore's adaptation of Brontë's novel as slightly below above average, but not quite average. I feel they did a first-rate job of re-creating at least three quarters of Brontë's tale. However, their adaptation fell apart, following Jane's departure from Thornfield Hall. They allowed Bertha Rochester's death and the burning of Thornfield to occur not long after Jane's departure. At first, I found that odd. But now, I realize that Zeffirelli and Whitemore wanted to rush the story as fast as they possibly could. Matters did not improve when Jane met St. John and Mary Rivers. Jane's inheritance of her uncle's fortune and St. John's loveless marriage proposal happened so fast that my head nearly spinned when she finally returned to Thornfield. The movie's weakest writing proved to be in the last twenty to thirty minutes.

The biggest criticism that "JANE EYRE" received from critics proved to be Zeffirelli's casting of William Hurt as Edward Rochester. Mind you, I found Hurt's English accent a little shaky. But I really enjoyed the cynical and world weary air he projected into the character . . . especially in scenes featuring Rochester's meeting with his brother-in-law, Richard Mason. And he also managed to achieve some kind of screen chemistry with leading lady Charlotte Gainsbourg. I find this quite miraculous, considering my belief that Gainsbourg's portrayal of Jane Eyre proved to be the movie's weakest link. I realize that this is not a popular view. But aside from one scene, I found Gainsbourg's performance to be completely BORING. All she had to do was open her mouth and her flat tones nearly put me to sleep. The only time she really managed to effectively convey Jane's deep emotions was in the famous scene in which the character revealed her love for Rochester. Only in this scene did Gainsbourg gave a hint of the acting talent she would eventually develop.

Other members of the cast gave solid performances. I noticed that the movie featured three cast members from 1995's"PERSUASION" - Fiona Shaw, Amanda Root and Samuel West. Shaw was very emotional, yet vicious as Jane's cold Aunt Reed. Root gave a warm performance as Miss Temple, Jane's favorite teacher at Lowood. And West was very effective in his portrayal of Jane's religious cousin and savior, St. John Rivers. It seemed a pity that the movie's script did not allow for a further look into his character. John Wood was perfectly hypocrtical and cold as Jane's religious headmaster, Mr. Brocklehurst. Joan Plowright gave a delightful performance as the outgoing housekeeper, Mrs. Fairfax. And I was surprised by Elle Macpherson's effective portrayal of the charming and self-involved Blanche Ingram. Edward de Souza gave a solid performance as Rochester's emotionally delicate brother-in-law, Richard Mason. But like West, he was barely in the movie long enough to make any kind of an impression. Julian Fellowes made an appearance as one of Rochester's friends, a Colonel Dent; but aside from a few witty lines, he was not that impressive. But the one supporting performance that really impressed me came from Anna Paquin's portryal of the young and passionate Jane. It seemed a pity that Paquin was only 13 to 14 years old at the time. Because I believe that her performance as Jane seemed ten times better than Gainsbourg.

Franco Zeffirelli's adaptation of Brontë's novel is not bad. Despite a shaky English accent, Hurt proved to be an effective Edward Rochester. And the movie also featured fine performances from many supporting performances. The director did a solid job of re-creating Brontë's tale for at least three-quarters of the movie. However, the adaptation fell apart in the last quarter, when Jane flet Thornfield Hall following her aborted wedding. And Charlotte Gainsbourg's flat performance as the titled character did not help matters. Like I said, "JANE EYRE" did not strike me as above average, but it seemed a little better than average.

Sunday, February 1, 2015

TIME MACHINE: Sherman's March to the Sea - Part Two

sherman-review-troops-in-savannah

Here is Part Two on my look at Sherman's March to the Sea. 


TIME MACHINE: SHERMAN'S MARCH TO THE SEA - PART TWO

December 21, 2014 marked the 150th anniversary of the end of Major General William Tecumseh Sherman's military march from Atlanta to Savannah, Georgia. The date also marked the 150th anniversary of Savannah's surrender to his forces. 

Sherman's famous march across the state of Georgia began in Atlanta, Georgia on November 15, 1864. Utilizing aspects of Lieutenant-General Ulysses S. Grant's successful Vicksburg Campaign and Winfield Scott's march to Mexico City, during the Mexican-American War, Sherman cut his army's ties to tradition supply lines and led his forces across Georgia, as they lived off the land, foraging food and livestock. Sherman's forces also destroyed military targets as well as industry, infrastructure, and civilian property and disrupted not only the State of Georgia's economy and its transportation networks, but also those that belonged to the Confederacy.

The Union forces that departed from Atlanta in mid-November 1864 consisted of two wings. Major General Oliver O. Howard commanded the Army of the Tennessee, also known as the right wing. The left wing consisted of the Army of Georgia, which was under the command of Major General Henry W. Slocum. A calvary division under Brigadier General Judson Kilpatrick supported both wings. And the First Alabama Calvary Regiment, a unit Southern Unionists, served as Sherman's personal escort.

Sherman's forces encountered military opposition from Confederate forces led by Lieutenant-General William J. Hardee's Department of South Carolina, Georgia, and Florida; and the state militia. Both the Union and Confederate forces clashed on several occasions; including the Battle of Griswoldville, the Battle of Griswoldville, and the Battle of Waynesboro. All were Union victories. More troops from Hilton Head, South Carolina under the command of Brigadier General John P. Hatch were sent to join Sherman's march by Major General John G. Foster. Hatch's forces fought an action against Georgia militiamen under G.W. Smith at the Battle of Honey Hill, resulting in a Confederate victory.

Sherman's forces finally reached the outskirts of Savannah on December 10, 1864. Unfortunately, he discovered that Hardee had entrenched 10,000 men in good positions. The latter's soldiers also flooded the surrounding rice fields, leaving only narrow causeways available to approach the city. Sherman found himself blocked from linking up with the U.S. Navy under Admiral John A. Dahlgren and new supplies, as he had planned. To unblock his route to the U.S. Navy, he dispatched William B. Hazen's division of Howard's wing and the cavalry to Fort McAllister, guarding the Ogeechee River, in hopes of unblocking his route. On December 13, Hazen and his forces stormed the fort in the Battle of Fort McAllister and captured it within 15 minutes. 

Once Sherman managed to connect to Dahlgren and the Navy's supplies, he set about preparing a siege of Savannah. On December 17, he sent a message to Hardee in the hopes that the latter would surrender. Instead, Hardee and his men escaped across the Savannah River on December 20, leaving the city to the mercy of Sherman's forces. On the following day, December 21, 1864; Mayor Richard Dennis Arnold, with a delegation of aldermen and ladies of the city, rode out to Union lines and offered a surrender of the city in exchange for protection of the city's citizens and their property. Sherman accepted their proposition and later in the day, rode into Savannah with the Union forces that had accompanied him across Georgia. Later, Sherman sent the following telegram to President Abraham Lincoln:

"I beg to present you as a Christmas gift the City of Savannah, with one hundred and fifty guns and plenty of ammunition, also about twenty-five thousand bales of cotton."

For more detailed information on Sherman's March to the Sea, I recommend the following books:

*"Sherman's March: The First Full-Length Narrative of General William T. Sherman's Devastating March through Georgia and the Carolinas" (1988) by Burke Davis

*"Through the Heart of Dixie: Sherman's March and American Memory" (2014) by Anne Sarah Rubin