Tuesday, December 31, 2013

"HE KNEW HE WAS RIGHT" (2004) Photo Gallery

Here is a gallery featuring images from the 2004 BBC miniseries, "HE KNEW HE WAS RIGHT". Adapted from Anthony Trollope's 1869 novel by Andrew Davies and directed by Tom Vaughn, the miniseries starred Oliver Dimsdale and Laura Fraser: 

"HE KNEW HE WAS RIGHT" (2004) Photo Gallery




Friday, December 27, 2013

"The Corellian Connection" [PG-13] - Chapter 4





Padme stepped out onto the villa's terrace and found Raymus Antilles pacing back and forth near the balustrade. "Captain Antilles," she greeted politely. "How kind of you to visit."

The captain ceased his pacing and faced Padme with a grim expression. "I'm afraid this isn't a social visit, Milady. Alderaan's intelligence has just received news that that an Imperial emissary will be arriving here, pretty soon. It seems that someone had traced Solipo Yeb's message to this planet."

A sense of alarm filled Padme. "Oh no! Bail! Has His Highness been arrested?"

"Thankfully no," Antilles replied. "He managed to leave Alderaan before the Empire's arrival."

Padme frowned. "You mean that this emissary is here?"

"He will be. Soon." With a sigh, Antilles continued, "Her Majesty and I believe that this emissary might search for the holoprojector that had received Senator Yeb's message." Unease crept into his eyes.

Padme asked, "Is there something else?"

Antilles inhaled sharply. "We've also learned that the emissary is someone with the title of 'Darth'. Possibly a Sith Lord."

A gasp left Padme's mouth. She stared at Antilles with anxious eyes. "But that's not possible! According to Bail and Master Kenobi, Anakin had turned away . . ."

"Yes, Milady, but we don't know if Skywalker had returned to the emperor or not." The captain paused. "Right now, we need to get you and children away from here. I have a shuttle waiting nearby to take you away from the palace grounds. I suggest that you pack your belongings quickly."

Padme replied, "I already have. Bail had suggested that I pack. In case of an emergency."

At that moment, a shadow appeared in the sky above. Both Padme and Antilles glanced and noticed a rectangular-shaped space vehicle. An Imperial shuttle. Padme murmured, "He's here."



"Room Eleven," Anakin murmured to himself, as he walked along the second floor corridor of the Selonia Hotel. The hotel was named after another planet that made up the Corellian Sector. The clean and stark interior reminded Anakin of a modest home for a respectable family. Large jars filled with flowers and other plants dotted the length of the corridor. He finally came upon his destination - Room Eleven. The pilot rang the announciator.

Seconds later, a female voice crackled from the small audio box next to the door. "Yes? Who is it?"

"Captain Set Horus," Anakin replied. "We met last night."

The door slid open, revealing Thalia Kor. Her shoulders sagged with relief. "Oh, thank goodness! Captain Horus, I'm glad that you could finally make it. Come in, please."

Once Anakin had stepped inside the modest room, he was surprised to find a human male with skin tone similar to his new client's. He knew that Miss Kor had a brother. But he had no idea that this sibling would turn out to be the missing senator from Andalia. "Senator Yeb?" he exclaimed, before he could stop himself.

The senator and his sister exchanged uneasy glances. "You know who I am?" the former demanded.

Anakin shrugged his shoulders. "Of course. Your face has been plastered consistently on the HoloNet News Service, since your escape from Andalia."

"I didn't think of that," Yeb murmured, wearing an anxious expression.

An impatient Thalia Kor (or Yeb) quickly dismissed the matter. "Never mind that. Captain Horus, can you get us both to Averam? No questions asked?"

Nodding, Anakin replied, "Sure. I only hope that the Empire hasn't traced you to here on Corellia." He saw the troubled expression on Senator Yeb's face. "Is there something wrong, Senator?"

Solipo Yeb hesitated. "Well . . . upon my arrival here, I had contacted . . . a friend to send me some much needed funds. We had also made arrangements to meet on Averam."

"And you think there might be a chance that your message had been detected by the Empire," Anakin concluded. He sighed. "I understand. I don't mean to sound mercenary, Senator, but how much are you willing to pay for passage?"

The Andalian senator immediately replied, "Three thousand Imperial credits." Anakin's eyes widened in shock. Apparently, the senator's friend had provided him with ample funds.

With an amicable smile on his face, Anakin replied, "Well then . . . you have a deal. Meet me inside the Javian Hawk's hangar." He glanced at the Andalian woman. "Your sister should know where to find it. I'll be ready to leave within two hours. Senator . . . Milady." He bowed politely and left the hotel room.



Darth Rasche and his entourage stood inside Aldera Palace's vast and impressive foyer. Just beyond, a large staircase curved upward to the floor above. Although Rasche was familiar with the plans for the new Imperial Palace, he could not help but be impressed by this palace's elegant style and sense of history. Not that he really cared. After all, he had a job to perform.

An royal aide dressed in a long blue robe approached the Sith Lord. "May I help you, sir?"

"I am Darth Rasche," Rasche announced. "I am here to see Her Majesty Queen Breha and His Highness Prince Bail Organa, on behalf of His Imperial Highness, the Emperor Palpatine."

The aide nervously replied, "Her Majest is . . ."

"Her Majesty is here," a female's husky voice finished. The voice's owner descended the staircase's remaining steps and approached the newcomers. Dressed in a simple, elegant tangerine gown with bell-shaped sleeves, Breha Antilles-Organa looked every inch an Alderaanian queen. Even her hair, styled in two round buns pinned on each side of her head, added to the regal presence. The aide immediately bowed. To prove that he was not a rude vulgarian, Darth Rasche did the same. "We are Queen Breha of Alderaan," she continued. "May we ask who you are, sir? And what are you doing here with Imperial troops?"

Again, the Sith Lord bowed. "I am Darth Rasche, Your Majesty. I am the personal emissary of the Emperor. He believes that someone here on Alderaan had received a holographic message from Solipo Yeb on Corellia. And since your husband happened to be one of Senator Yeb's former colleagues, naturally our search will start here."

The queen's countenance formed a stony mask. "We must protest this intrusion, Lord Rasche. His Highness has been a loyal supporter of the Emperor since the latter was the Supreme Chancellor. Despite his initial misgivings, he also supported the war against the Separatists . . . even against the wishes of some of our more pacifist citizens. This is outrageous!"

"Nevertheless, Your Majesty, I must perform my duty and search the palace. You may file an official protest to the Imperial Senate, if you wish." Rasche paused, as he glanced around the foyer. When the Queen had first appeared, something seemed amiss. Now, he knew why. "Pardon me, Your Majesty, but where is your husband? Where is His Highness, Prince Bail?"

The Queen's dark eyes flickered momentarily before she assumed a haughty air. "His Highness is not here. He has left . . . on a business trip."

Allowing his eyes to penetrate the monarch's Rasche said in a silky voice, "A business trip? To Corellia, by any chance?"

Contempt poured out of Queen Breha's eyes. "Of course not! He went to Duro with a member of Alderaan's Trade Association to discuss our import contract regarding Alderaanian wine."

"Do you expect me to believe you?" Rasche coolly shot back.

"I beg your pardon?" The queen's voice radiated ice. "Do you doubt our word?"

A retort hung on Rasche's lips. But a growing sense that the Queen had no suspicions of any connection between her husband and Solipo Yeb, other than the Senate, gnawed in his mind. He also suspected that insulting Alderaan's queen might backfire against the Empire. Especially since he has yet to find any proof linking Bail Organa with Yeb. Rasche took a deep breath and bowed to the Queen. "Pardon me, Your Majesty. I would never doubt anything you say."

Queen Breha lifted her chin in a haughty manner. "You are forgiven."

Rasche felt a slight surge of anger at what he viewed as royal arrogance. Then he turned to the clone squad and barked, "Search every room for a holoprojector, and make sure that each one has been checked for any recent transmissions!" The troopers then split into smaller groups and commenced upon the search.

Meanwhile, Rasche became aware of Queen Breha's intense scrutiny. "Pardon me, Lord . . . Rasche," she began, "but your face looks familiar to us." She paused. "Were you a veteran of the recent war against the Separatists?"

The young Sith Lord's eyes flicked. "Yes . . . Your Majesty."

The Queen frowned. "Were you a former Jedi Knight, by any chance? Aside from the clone troopers, the only other humans engaged in combat were . . ."

Longing to avoid memories of his previous life, Rasche curtly interrupted. "There were other humans that fought against Dooku and Grievious." Queen Breha's eyes bored into his. He added quietly, "Your Majesty."

"I see."

Rasche decided to change the subject. "By the way, I had noticed a charming villa near the palace's lagoon. Who lives there, if I may ask?"

A touch of fear flicked in the Queen's eyes. Much to Rasche's surprise. Interesting.

"My husband's cousin lives there," Queen Breha finally replied. "Cousin Yane Organa-Rivaaj. Well . . . she and her children used to live there. Until recently. She is a war widow."

Rasche asked, "Why did she leave?"

A pause followed before Queen Breha answered, "Painful memories. It was not the same fol . . . following her husband's death. He was killed during the Separatists' assault upon our homeworld."

Rasche nodded politely, already bored by the tragic story. Several minutes later, three clone troopers appeared from the palace's east wing. One of them reported, "We found a holoprojector each in both the Queen and Prince Organa's private offices. Neither had recently received a message from Corellia."

"You searched our private rooms?" Queen Breha demanded angrily.

Ignoring the furious monarch, Rasche ordered the two troopers to search the villa near the palace's lagoon. "If you find the holoprojector, inform me as soon as possible." Once the troopers left, Rasche turned to face Queen Breha. To his satisfaction, the fear he had earlier spotted in her eyes, had returned.



"I had killed more than one person. Hundreds of them, as a matter of fact. Including children."

Captain Horus' words replayed over and over, inside Han's mind. Nor could he forget the pilot's eyes when those words spilled of his mouth. Hard. Intense. Scary and yet, a little sad. Recalling the blond-haired pilot, Han felt relieved that the man had rejected him. On the other hand, a swell of pity touched Han whenever he thought about Captain Horus' underlying sadness. What exactly had Horus done to make him so frightening and yet, sad at the same time?

Han shivered. Then he returned his attention to his drink. After leaving the Torvian Blue Hotel, the eleven year-old had made his way toward the city's spaceport in the hopes of finding passage off Corellia. Unfortunately, most ships seemed to be arriving in Coronet, instead of leaving. An old Republic cruiser had departed for Mos Espa on Tatooine. Han would have been a passenger, if the pilot had not demanded more credits than he possessed. Now, he found himself sitting in a open-air café, drinking Java Juice and waiting for the next starship to depart.

A familiar figure appeared at the spaceport's entrance. It was Set Horus. Han watched the young pilot stride into one of the hangars. Then a woman dressed in dark blue pants, a white blouse and a tan short jacket appeared at the spaceport's entrance. Han immediately recognized her aqualine features and long, dark-brown braid. It was Yenohla Jen, one of Corellia's top pilots. He had learned from the portmaster that she would be departing for Coruscant within an hour or two. And unlike the Republic cruiser's pilot, Captain Jen would not overcharge him.

After finishing his drink, Han paid two credits and slid out of his chair. He grabbed his burlap sack and started across the street. The eleven year-old had not taken five steps when a strong hand grabbed him by the back of his collar. Han screamed for help, as he struggled to escape his captor. Typically, no one bothered to rescue him. Not even a CorSec officer.

"Calm down, kid," his captor growled. "Shrike wants to speak to you." In other words - he was deep in bantha fodder.

Shrike’s thug, a blond-haired human male with narrow blue eyes, shoved him into an enclosed speeder, where he found another waiting for them. Within minutes, both men delivered him to Shrike’s villa, near the edge of town. One of the thugs dragged the eleven year-old inside the villa and delivered him to the courtyard, where the gangster awaited them. The latter’s grim expression did not seem to bode well for Han. “Well, well,” Shrike said in a low, menacing voice. “Hanging around the spaceport like some local scum, Solo? Weren’t you supposed to be doing something else? Like collecting the credits that you owe me?”

Han stared at his boss in angry silence. Only he felt anger at himself, for being stupid enough to be caught off guard by Shrike’s thugs.

“Well? Aren’t you going to say something?” Shrike demanded. His eyes fell upon Han’s burlap sack. “Where did you get that?” He snatched the sack from Han’s grip. At that moment, the Wookie cook appeared in the courtyard. She took one look at Han and gasped. “That’s right, Dewlanna,” Shrike continued with a sneer. “Solo is back. I can only assume that you helped him escape by giving him this.” He held up the burlap sack. Then he peered inside. “Let’s see. Food and and a credit chip. Interesting.”

Dewlanna growled, “He would have starved if I had not given him something.”

“Really?” Shrike glared at her. “You should have told me that he had left, in the first place.”

For Dewlanna’s sake, Han spoke up. “You leave Dewlanna out of this!” he cried angrily. “It’s not her fault!”

“No, it’s not,” Shrike coolly replied. “It’s yours. You made the choice to run away. But Dewlanna . . . well, she did make the choice to help you. And now, both of you must be punished.”

At that moment, an adolescent, green-skinned Twi’lek entered the courtyard. It was Alema Passik, one of Shrike’s slaves and his personal companion. She called out the gangster’s name. “Shrike! You have an incoming message on your holoprojector! The one you are waiting for.”

A sigh left Shrike’s mouth. He seemed to have forgotten about Han, as he diverted his attention to Alema. “I’m waiting for a lot of messages. Who is it?” he demanded, as he started toward the archway that led to the villa’s interiors.

Shrike was not the only one who became distracted by Alema’s appearance. The gangster’s two thugs had released their grip on Han’s arms. The eleven year-old decided to take advantage of a fortuitous opportunity. Using great force, Han stomped on the blond-haired thug’s foot. The man cried out in pain. Then the eleven year-old Corellian kicked the other thug’s shin and made a run for the courtyard’s gate.

A loud roar filled Han’s ears, when he reached the gate. She glanced over his shoulder and saw Dewlanna knock the second thug to the ground. The blond thug pulled out a blaster, but Dewlanna knocked him out before he could fire. Then she roared, “Run Han! Get out of here! Get out . . .”

Blaster fire from Shrike’s side weapon interrupted the Wookie’s cries. Struck directly into the chest, Dewlanna slowly sank to the ground. Han cried out, “Nooo!” Then he saw an armed Shrike rush toward him. Before Han could open the gate, the fallen Wookie grabbed one of Shrike’s ankles and jerked him to the ground. Han needed no further argument. He opened the gate and finally made good his escape.



Commander Jaffe approached the Agamemnon’s senior officer. “We’re now approaching Corellia, Captain Hardy. We should be in orbit above the planet within fifteen minutes.”

“Good,” Captain Hardy replied. “Contact the head of the Corellian Security Force. Inform him that I will meet him at the CorSec office on Coronet. And Have Lieutenant Rhue and his platoon meet me in the shuttle bay. I am going to the surface. I’m leaving you in command of the Agamemnon.”

The executive officer nodded. “As you wish, Captain.” He turned to a subordinate. “Contact Lieutenant Rhue and tell him to form his platoon, inside the hangar bay.”

Satisfied that his orders would be carried out, Captain Hardy left the bridge in order to prepare for his trip to Corellia’s surface.


Tuesday, December 24, 2013

HOLIDAY SALE - Button Rings and Necklaces!

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Now on sale for the holidays is a collection of button rings and necklaces that can be found on this Etsy SITE


Owner Thelizabeth11 created the rings and necklaces from a collection of vintage accessories that date as far back as the Victorian Era. Costs range from the low prices of $6.00 to $15.00, along with a shipping cost.

The cost of these combinations of picture frames and illustrations range from $25.00 to $45.00, along with a shipping cost.

Don't miss the opportunity to purchase any of these beautiful gifts for your enjoyment and as presents for the holiday season!

Saturday, December 21, 2013



Every once in a while, Agatha Christie wrote a novel in which she used a nursery rhyme as its title. This turned out to be the case for her 1955 novel, "Hickory Dickory Dock". Forty years after its publication, ITV aired an adaptation of the novel for its series, "AGATHA CHRISTIE'S POIROT"

"HICKORY DICKORY DOCK" began with a rash of thefts committed at a student hostel in 1936 London. Since her sister is the hostel's warden, Miss Lemon recruits her boss, Belgian detective Hercule Poirot, to investigate what appears to be a case of kleptomania. It does not take him long to discover the identity of the thief - a chemistry student named Celia Austin, who had stolen the items to attract the attention of psychiatry student Colin McNabb. However, it seems Celia only stole a few petty items. She was not responsible for a missing stethoscope, light bulbs and boracic powder. She also did not cut up and conceal a rucksack. When Celia is discovered the following morning, dead from an overdose of morphine, Poirot and Chief Inspector Japp of Scotland Yard eventually realize that someone tried to make her death look like suicide.

Although the novel was written and set in the 1950s, screenwriter Anthony Horowitz and director Andrew Grieve transformed the story's setting to 1936. One, all of the "POIROT" movies and episodes are set in the 1930s, regardless of when they were made. Due to the change in setting, Horowitz and Grieve included a subplot that featured the Jarrow March and Member of Parliament (MP) Arthur Stanley. Also, all non-white and Continental European characters (aside from Greek-born hostel owner Mrs. Nicoletis) were deleted from this television adaptation. Also, the pair replaced an Inspector Sharpe with recurring character Chief Inspector Japp.

What can I say about "HICKORY DICKORY DOCK"? Honestly? I did not like it very much. I find this very interesting, considering that the movie featured two actors that I happened to like very much - Jonathan Firth and Damian Lewis. But their presence in the movie could not save it for me. Frankly, I believe that Horowitz did a piss poor job of adapting Christie's novel. Mind you, I have never been a fan of the 1955 novel anyway. But Horowitz's script only made it worse. 

Of all the changes in this adaptation, the only one that did not bother me was the addition of Chief Inspector Japp. Mind you, I could not see someone that high up in the Scotland Yard hierarchy investigating a series of murders at a student hostel. But since the City of London is under Scotland Yard's jurisdiction, for once Japp's presence does not seem out of place. I wish I could say about some of the other changes . . . but I cannot.

For some reason, Horowitz had decided to include the Jarrow March into the story. Why? It really had nothing to do with the story. Also, the March actually occurred in October 1936. Yet, "HICKORY DICKORY DOCK" was set in April 1936. The screenwriter tried to justify this change by transforming MP Arthur Stanley into a Labour politician (he was a Conservative) and connecting him to the march. Worse, he changed the politician's year of death from 1947 to 1936. To deepen the connection, Horowitz allowed one of the students to be a Political Science major and discover that another student - the murderer - was Stanley's offspring. And you know what? It did not work. Because in the end, the Jarrow March still proved to be an unnecessary addition to the story.

By changing the story from the 1950s to the 1930s, Horowitz screwed up with another character's portrayal. American student Sally Finch claimed to be studying in Britain on the Fullbright Program. The Fullbright Program did not exist until 1946. And although Sally proved to be a spy for British Customs that was investigating a smuggling ring within the hostel, she retained her American accent. Which led me to wonder how an American subject ended up working for a British government agency. And why did Horowitz eliminated all of the non-white characters from Christie's novel. Mind you, her portrayal of some of them (especially one Mr. Akibombo) struck me as wince-inducing. But I do not see this as a good excuse to eliminate them all together. And one of them - a Jamaican student named Elizabeth Johnson - proved to be a very interesting character. Alas . . . 

One last aspect of "HICKORY DICKORY DOCK" really annoyed me. Like other Christie adaptations with a nursery rhyme title (think "ONE, TWO, BUCKLE MY SHOE"), it used heavy-handed literary symbols to connect the story with the title. The real connection between the story and the title proved to be the name of the road where the student hostel was located - Hickory Road. Yet, director Andrew Grieve decided to include the occasional shots of a mouse roaming around the hostel and an old fashioned clock (both make up part of the famous nursery rhyme), with a few voices whispering - "Hickory dickory, hickory dickory!". I found it very annoying. Grieve finally made use of the mouse by allowing it to scare Miss Lemon, giving the revealed murderer a chance to attempt an escape. This led to a prolonged and ridiculous foot chase that, unfortunately, has been a hallmark of the "AGATHA CHRISTIE'S POIROT" series - especially in the 1990s.

Was there anything about "HICKORY DICKORY DOCK" that I liked? Well, most of the performances stuck me as top notch. I especially enjoyed the performances of Jonathan Firth, Damian Lewis, Polly Kemp, Gilbert Martin and Elinor Morriston as some of the students at the hostel. It was nice to see that Pauline Moran was given a bigger presence in the story as Poirot's efficient secretary, Miss Lemon. Both David Suchet and Philip Jackson were superb as Hercule Poirot and Chief Inspector Japp. Horowitz included an entertaining subplot in which Japp found himself as a house guest at the detective's flat, while his wife was out of town. I never felt more sympathy toward the man, as he was forced to endure Poirot's brand of Haute cuisine. The movie could also boast a first-rate production, thanks to production designer Rob Harris. He did an excellent job of re-creating mid-1930s London. He was ably helped by Peter Wenham's art direction and Andrea Galer's convincing costume designs.

Despite a good deal of top-notch performances - especially by David Suchet, Philip Jackson and Pauline Moran, a convincing re-creation of 1936 London and an entertaining subplot featuring Poirot and Japp; I cannot say that"HICKORY DICKORY DOCK" is a favorite mine. To be honest, I found it a bit disappointing, thanks to some unnecessary changes to Christie's novel by screenwriter Anthony Horowitz. Oh well. You cannot win 'em all.

Wednesday, December 18, 2013

"UPSTAIRS DOWNSTAIRS" (2010) Series One Photo Gallery


Below are images from "UPSTAIRS DOWNSTAIRS", the updated version of the old BBC television series. The series stars Jean Marsh, Keeley Hawes, Ed Stoppard, Claire Foy and Eileen Atkins: 














upstairs-downstairs ep 1 (3)

upstairs-downstairs ep 1 (16)

upstairs-downstairs ep 1 (25)




Keeley Hawes in Upstairs Downstairs 2011