"THE COUNT OF MONTE CRISTO" (2002) Review

"THE COUNT OF MONTE CRISTO" (2002) Review

Let me make something clear . . . I have never read the literary version of ”THE COUNT OF MONTE CRISTO”, written by Alexandre Dumas. I have seen three movie versions – including this latest one starring James Caviezel. But I have never read the novel. So, for me to compare the literary version to this movie would be irrelevant.

In short, ”THE COUNT OF MONTE CRISTO” is the story about a French sailor named Edmond Dantès (Caviezel), who finds himself a victim of French political machinations, thanks to the Emperor Napoleon, a jealous first mate named Danglars, his best friend Fernand Mondego (Guy Pearce) and an ambitious local magistrate named J.F. Villefort (James Frain). Edmond ends up on an island prison called Château d'If, where he meets a fellow prisoner, a priest and a former soldier in Napoleon's army named Abbé Faria (Richard Harris). Faria is killed in an accident after informing Edmond about a fabulous hidden treasure. After Edmond uses Faria’s death to escape from Château d'If, he befriends a smuggler and thief named Jacopo (Luis Guzmán). The two find the treasure that Faria had talked about and Edmond uses it to establish the persona of the Count of Monte Cristo. His aim? To avenge himself against those who had betrayed him – Danglars, Villefort, Mondego and his fiancée Mercédès Iguanada (Dagmara Dominczyk), who had married Mondego after his arrest.

I have to give kudos to director Kevin Reynolds and screenwriter Jay Wolpert for creating a first-class adaptation of Dumas’ novel. From what I have read, it is not an exact adaptation of the novel. As if that was possible. Not that I care whether it was or not. I still enjoyed the movie. Despite some of the changes to the story, ”THE COUNT OF MONTE CRISTO” still managed to retain its emotional ambiguity. Villains such as Villefort and especially Mondego are not as one-dimensional ‘bad’ or ‘evil’ as one might believe. The origin of Villefort came from his father’s ego-driven ambition. As for Mondego, his dislike and betrayal of Edmond had its roots in his own insecurity and bouts of self-hatred, despite his position as an aristocrat. As for Edmond, he becomes so blinded by his hatred and desire for revenge that his actions nearly ends in tragedy for Mercédès and her adolescent son, Albert (Henry Cavill) – the only innocents in this tale of betrayal and vengeance.

The cast was first rate. James Caviezel gave a superb performance as Edmond Dantès, the naïve French sailor who becomes a wealthy man bent upon vengeance. Caviezel took Edmond’s character and emotional make-up all over the map without missing a beat. And Guy Pearce was equally superb as the villainous Fernand Mondego, an arrogant aristocrat whose own jealousy and bouts of self-loathing led him to betray the only friend he would ever have. James Frain gave a solid performance as the ambitious Villefort, whose greed allows Edmond takes advantage of in order to exact his revenge. And I could say the same for both Dagmara Dominczyk, who portrayed Mercédès Iguanada, Edmond’s charming fiancée who found herself stuck in a loveless marriage with Mondego due to certain circumstances; and Luis Guzmán’s portrayal as the wise and loyal Jacapo. Henry Cavill gave a solid performance as Edmund's guiless, yet emotional son who gets caught up in the crossfire between Edmund and Fernand. And the late Richard Harris managed to create great chemistry with Caviezel as Edmond’s wise mentor, Abbé Faria.

Cinematographer Andrew Dunn and production designer Andrew Dunn did a great job of transforming locations in Ireland and the island of Malta into early 19th century France. And they were ably assisted by Tom Rand’s costume designs. Along with a first-rate cast, Kevin Reynolds’ competent direction and Jay Wolpert’s script, this version of ”THE COUNT OF MONTE CRISTO” turned out to be an entertaining movie filled with exciting action, great drama and excellent storytelling. A first-rate movie all around.

"THE PACIFIC" - Episode Seven "Peleliu III" Commentary

I wrote this commentary on the seventh episode of "THE PACIFIC":


"THE PACIFIC" - Episode Seven "Peleliu III" Commentary

In Episode Seven, ”THE PACIFIC” finally ended its three-part focus on the Battle of Peleliu. This particular one centered on Eugene Sledge (Joseph Mazzello) and his experiences with the 5th Marines regiment in the hills of Peleliu Island in October 1944.

The episode began with a montage featuring Sledge and the 5th Marines battling it out against the Japanese Army for a period of time – a first for the miniseries – until their return to the airfield for a brief respite. There, Sledge has a conversation with his company commander, Captain Andrew “Ack Ack” Haldane (Scott Gibson). As the 5th Marines prepare to head back into the hills, Sledge spotted Colonel Chesty Puller (William Sadler) and the 1st Marines regiment heading back toward the beach. One of that regiment’s wounded turned out to be one Lou "Chuckler" Juergens (Josh Helman), barely conscious, while smoking a cigarette.

As Sledge and the 5th Marines returned to the hills, the episode gave viewers another peek into John Basilone’s (Jon Seda) continuing publicity tour as a war hero. Only this time, the novelty has finally worn off.  The war bond drive and celebrity status has driven Basilone into his own personal hell. He also seemed to be haunted by memories of Guadalcanal and the death of Manny Rodriguez (Jon Bernthal). This brief glimpse of Basilone’s dissatisfaction will eventually lead to his decision to request a return to active duty.

But most of the episode featured Sledge and the 5th Marines’ continuing experiences on Peleliu. The horrors that the Mobile native had experienced during the landing and the battle across the airfield almost seemed like child’s play in comparison to his experiences in the Peleliu hills. I say . . . almost. What Sledge and the others had experienced during Episode Five and Episode Six seemed pretty hellish to me. In this episode, Sledge, his fellow Marines and the Japanese soldiers all seemed, at times, to be experiencing the lowest forms of humanity. And Episode Seven provided it all with brutal combat scenes, gruesome deaths and worst of all, mutilation of bodies – dead or alive.

Earlier in the episode, Sledge had looked upon some of his fellow Marines’ mutilation of dead Japanese soldiers with disgust. One particular Marine even tried to remove the gold teeth from a Japanese soldier, who was badly wounded but still alive. Sledge expressed his disgust aloud, demanding that the enemy soldier be put out of his misery. Later in the episode, he sang a different tune after his company suffered major losses in the command structure. First, a wounded Lieutenant Edward “Hillbilly” Jones (Leon Ford) was killed by stray bullets, while being carried from the battlefield by stretcher bearers. Not much time had passed before Corporal R. V. Burgin (Martin McCann) announced Captain Haldane’s death from a sniper to his platoon. Following Haldane’s death, Sledge finally had an urge to engage in a little mutilation of Japanese soldiers on his own. Fortunately, “Snafu” Shelton (Rami Malek) managed to talk him out of committing an act he would have eventually regretted. The episode ended with the 5th Marines returning to Parvuvu. However, Sledge returned as someone different from the inexperienced Marine that had a reunion with his childhood friend, some four months ago. This was especially apparent in his reaction to the sight of nurses greeting returning Marines on Parvuvu. Perhaps in his mind, they seemed like an illusion amidst the realities of war.

Many fans seemed to view Episode Seven as the best in the entire miniseries, so far. Perhaps. Perhaps not.  Some also believe that it is the series’ most depressing episode. At the moment, I believe that Episode Four still holds that honor. But I do believe that Episode Seven was the most brutal in the series so far – with both Episode Two and Episode Six tying for second place. Director Tim Van Patten did an exceptional job in conveying the brutality and chaos of war in the Pacific Theater. Two scenes that really drove home the fact to me were the surprising death of Hillbilly Jones, which took me completely by surprise; and the image of “Snafu” Shelton tossing pebbles into the head of a dead Japanese soldier. By the time Sledge and his fellow Marines had returned to Parvuvu, I felt as if I had experienced the combat version of hell and beyond.  However, I do have two quibbles about the episode.

In real life, a Navy corpsman named Doc Caswell had been the one to convince Sledge not to mutilate a dead Japanese soldier. In the miniseries, it was “Snafu”. My problem with this particular scene stemmed from another in last week’s episode, in which “Snafu” had supported Sledge’s pragmatic reaction to Hillbilly's order for someone to shut up a wailing Marine with a deadly whack on the head. I found it difficult to view that “Snafu” as the same man who stopped Sledge from mutilating a dead Japanese soldier. And I feel that Captain Haldane’s death lacked any real drama. Do not get me wrong. Haldane was probably an excellent leader and a good Marine. But Scott Gibson’s portrayal of the officer made him seem like a 2.0 version of the Richard Winters character in ”BAND OF BROTHER”. I also found it difficult to experience any surge of emotion over his death, considering that it had occurred off-screen. If screenwriter Bruce McKenna could change history and allow “Snafu” to convince Sledge not to commit any mutilation, then surely he could have allowed the Alabamian to witness Haldane’s death.

The episode did feature some superb performances – especially by Joseph Mazzello and Rami Melek. And while I had a slight problem with the idea of “Snafu” convincing Sledge not to mutilate that Japanese soldier, I must admit that this scene has led me to believe that the two actors had given the best performances in the entire episode. But I also feel that Martin McCann did a fine job in developing Burgin into a top-notch squad leader. When I first saw Gary Sweet’s portrayal of Gunnery Sergeant Elmo Haney back in Season Five, I thought it was a bit too exaggerated and something of a joke. But I must admit that not only did he managed to grow on me, I found his portrayal of Haney’s growing sense of despair over the bloodbath on Peleliu very impressive. But I cannot forget Jon Seda's brief, yet memorable performance as war hero John Basilone. With a minimum of words and a great deal of facial expressions and body language, he did a superb job of conveying Basilone's despair over being trapped into some kind of celebrity hell. He has grown a great deal as an actor.

Episode Seven capped what I believe to be the best part of ”THE PACIFIC” - a three-part glimpse into the brutality of the controversial battle, Peleliu. I suspect that many viewers might find this surprising. Because so many combatants had died on the beaches and in the caves of Peleliu, the island now has a war memorial honoring the dead of both the Americans and the Japanese.

Next week, John Basilone is transferred to the Fifth Marine Division and experiences combat on Iwo Jima.

"PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST" (2006) Photo Gallery

Here is a gallery of photos from the second movie in the "PIRATES OF THE CARIBBEAN" trilogy - "Dead Man's Chest":

"PIRATES OF THE CARIBBEAN:  DEAD MAN'S CHEST" (2006) Photo Gallery

"EMMA" (1996 TV) Review

"EMMA" (1996 TV) Review

Several months after Miramax had released Douglas McGrath’s adaptation of Jane Austen’s 1815 novel, "Emma", another version aired on the BBC and later, on the A&E Channel in the U.S. This version turned out to be a 107-minute teleplay, adapted by screenwriter Andrew Davies and directed by Diarmuid Lawrence. 

As many Jane Austen fans know, "EMMA" told the story of the younger daughter of an English Regency landowner, with a penchant for meddling in the lives of friends and neighbors. Her meddling in the love life of her new protégé – a young woman named Harriet Smith – ended up having a major impact on the latter’s search for a husband. Emma also becomes involved with Frank Churchill, her former governess’ stepson, and the highly educated granddaughter of her village’s former curate named Jane Fairfax.

This ”EMMA” incorporated a heavy emphasis on class structure and conflict, due to Andrew Davies’ adaptation. This emphasis was hinted in scenes that included a conversation between Emma and Harriet regarding the role of the neighborhood’s wealthiest landowner, George Knightley. Greater emphasis was also placed on Jane Fairfax’s possible future as a governess. The movie included moments featuring tenant farmer Robert Martin’s barely concealed resentment toward Emma’s interference in his courtship of Harriet. And the movie concluded with a harvest ball sequence that allowed Mr. Knightley to display his role as Highbury’s wealthiest and most benevolent landowner.

I cannot deny that I enjoyed ”EMMA”. Davies’ script and Lawrence’s direction captured a good deal of the mood from Austen’s novel. The movie also featured scenes that I found particularly appealing – scenes that included Mrs. Cole’s party, where Mr. Knightley becomes aware of Emma’s friendship with Frank Churchill; the comic reaction to Emma’s drawing of Harriet; and the Box Hill incident. Yet, for some reason, my favorite sequence turned out to be Mr. and Mrs. Weston’s Christmas party. One, production designer Don Taylor created a strong holiday atmosphere that seemed distinctly of another era. And two, the sequence featured some of the movie’s funniest moments – John Knightley’s rants about attending a party in bad weather and Mr. Elton’s marriage proposal to Emma.

Of the actors and actresses featured in the cast, I must admit that at least five performances impressed me. Mr. Elton must be one of the novel’s more exceptional characters. I have yet to come across a screen portrayal of Mr. Elton that did not impress me. And Dominic Rowan’s deliciously smarmy take on the role certainly impressed me. I also enjoyed Bernard Hepton’s rather funny portrayal of Emma’s finicky father, Mr. Woodhouse. The man possessed timing that a comic would envy. Samantha Bond gave a warm and deliciously sly portrayal of Emma’s former governess, Mrs. Weston. But my two favorite performances came from Raymond Coulthard and Olivia Williams as Frank Churchill and Jane Fairfax. From my reading of Austen’s novel and viewing of other screen adaptations, I got the feeling that these two characters were not easy to portray. Frank Churchill never struck me as the typical Austen rogue/villain. Yes, he could be cruel, selfish and deceitful. And yet, he seemed to be the only Austen rogue who seemed to possess the slightest capability of genuine love. Actor Raymond Coulthard has struck me as the only actor who has managed to capture the strange and complex nature of Frank Churchill with more accuracy and less mannerisms than any other actor in the role, so far. And Olivia Williams struck me as the only actress that managed to portray Jane Fairfax’s travails without resorting to extreme mannerisms . . . or by simply being there.

Many have praised Samantha Morton’s performance as Emma’s young companion, Harriet Smith. And I believe that she deserved the praise. I found nothing defective about it. Unfortunately, Davies’ script left the actress with hardly anything to work with. Morton’s Harriet almost came off as self-assured and nearly flawless. Mind you, I do not blame Morton’s performance. I blame Davies’ script. His interpretation of Harriet almost seemed . . . uninteresting to me. Prunella Scales gave a solid performance as the garrulous spinster and aunt of Jane Fairfax, Miss Bates. But I must admit that I found nothing particularly memorable about her portrayal. And Lucy Robinson’s Mrs. Augusta Elton never really impressed me. In fact, I found her performance to be the least memorable one in the entire movie.

How do I describe Kate Beckinsale and Mark Strong’s portrayals of the two lead characters – Emma Woodhouse and George Knightley? Superficially, their performances seemed solid. Both knew their lines. And neither gave any wooden performances. But if I must honest, Beckinsale and Strong turned out to be my least favorite screen versions of Emma and Mr. Knightley. Beckinsale’s Emma not only struck me as chilly at times, but downright bitchy. I suspect that her performance in ”COLD COMFORT FARM” may have attracted the attention of this film’s producers. What they failed to realize was that Beckinsale’s role in that particular film had acted as straight man to the rest of the comic characters. And back in the mid 1990s, the actress lacked the comic skills to portray Emma Woodhouse, a character that proved to be one of the funnier ones in this predominately humorous tale. I have been a fan of Mark Strong for several years. But after seeing ”EMMA”, I would never count George Knightley as one of his better roles. I have seen Strong utilize humor in other movies. But his sense of humor seemed to be missing in ”EMMA”. Strong’s George Knightley struck me as a humorless and self-righteous prig, with an intensity that seemed scary at times. The best thing I could say about Beckinsale and Strong was that the pair had decent screen chemistry.

Andrew Davies did a solid job of adapting Austen’s novel. Was he completely faithful to it? Obviously not. But I am not particularly concerned about whether he was or not. But . . . I did have one major problem with the script. I believe that Davies’ treatment of class distinctions in Regency England struck me as very heavy-handed. This lack of subtlety seemed very obvious in scenes that included Robert Martin’s silent expressions of resentment toward Emma, her little speech to Harriet about Mr. Knightley’s role as a landowner, Emma’s overtly chilly attitude toward Robert Martin and in the movie’s last sequence, the harvest ball. Which literally made me cringe with discomfort during Mr. Knightley’s speech. No one felt more relieved than I, when it finally ended.

In the end, ”EMMA” seemed like a decent adaptation of Jane Austen’s novel. Some of its qualities included first-rate performances from the likes of Raymond Coulthard and Olivia Williams. And there were certain sequences that I enjoyed – like the Westons’ Christmas party and the Crown Inn ball. But I found Davies’ take on class distinctions in the movie about as subtle as a rampaging elephant. And I was not that impressed by Kate Beckinsale and Mark Strong in the lead roles. In the end, this ”EMMA” proved to be my least favorite adaptation of the 1815 novel.

Top Five Favorite "MAD MEN" Season One (2007) Episodes

Below is a list of my top five favorite Season One episodes of AMC's "MAD MEN":


TOP FIVE FAVORITE "MAD MEN" SEASON ONE (2007) Episodes



1. (1.12) "Nixon vs. Kennedy" - In this superb episode, Sterling-Cooper's employees have an all-night party to watch the results of the 1960 Presidential Election. Also, Pete Campbell discovers that Don Draper's real name is Dick Whitman, who had been officially declared dead during the Korean War.





2. (1.10) "The Long Weekend" - During the Labor Day weekend, Roger Sterling decides to cheer up Don over the loss of a client by arranging a double date with twins. During the date, he suffers a heart attack. Meanwhile, Joan Holloway has a double date with her roommate and two out-of-town businessmen.





3. "5G" - In this poignant episode, Don receives an unwelcome visitor in the form of his half-brother, Adam Whitman, whom he had not seen since the Korean War. And when Ken Cosgrove gets his short story published in the , a jealous Pete asks wife Trudy to convince an old boyfriend to publish his story.





4. (1.01) "Smoke Gets in Your Eyes" - The series' pilot episode introduces Manhattan advertisement executive Don Draper and his co-workers at the Sterling-Cooper agency, as he struggles to maintain Lucky Strike as a client for the agency.





5. (1.09) "Shoot" - A larger ad agency tries to lure Don from Sterling-Cooper, by hiring wife Betty Draper for a modeling job. Meanwhile, Pete devises a strategy to help the Nixon campaign.

"Lover Man" [R] - 3/3

"LOVER MAN"

PART THREE

The Bridge's turbolift doors slid open. Tom Paris emerged from the lift and strode toward the Conn Station to relieve Mariah Henley.

From the Engineering Station, B'Elanna watched the entire exchange from the corners of her eyes. She noticed that Mariah's shoulders stiffened under contact from Paris's hand. And the smirk that appeared on the Chief Helmsman's lips. A red flush tinged Mariah's face, as she walked toward the turbolift.

B'Elanna's console beeped. She glanced down and found a message flashed across her screen. "Keep your eyes on the job, Maquis. Tuvok is watching." B'Elanna's eyes widened at Harry's message. Then she looked up and found a pair of dark eyes that belonged to the Vulcan Tactical Chief. Observing her. The engineer coughed slightly and returned her attention to her work. However, not before she returned Harry's message. "Thanks Starfleet."

Since the day Harry had convinced her not to report Tom's indiscretions to Chakotay, B'Elanna has found herself growing increasingly obsessed with the pilot. She tried to curb this obsession and convince herself that she was wasting her time. After all, she has failed to come across any signs of sexual activity in Cabin Nine-I since that second time. Unfortunately, B'Elanna also continued to be plagued with dreams of her and Paris. Much to her mortification.

There seemed to be one bright light in the horizon. Ever since Paris's troubles on Banea, his circle of female admirers seem to have shrunken to almost non-existent. Like B'Elanna and other crewmen, they had heard about his affair with the wife of a murdered Banean scientist. And his conviction for murder by the Banean government. Paris ended up reliving the entire killing from the victim's viewpoint, thanks to some implanted memory engrams. However, his punishment ended up short-lived. Lieutenant Tuvok managed to exonerate Paris after discovering a murder-and-espionage conspiracy that had allegedly framed the pilot.

Many believed that Tuvok had conjured up evidence to exonerate Paris at Captain Janeway's behest. B'Elanna found that particular theory ludicrous. Tuvok may have been a traitorous spy, but not even he would go that far. She had to admit - most reluctantly - that Paris was innocent.

There still remained another matter regarding the blond helmsman. The identity of his secret lover from Cabin Nine-I. It was a mystery that B'Elanna felt determined to uncover. Who else, besides Paris, had kept her awake with sounds of passion on two separate occasions, during the past several weeks?

While B'Elanna contemplated the question, Paris's combadge chirped, breaking the silence on the Bridge. "Janeway to Paris," the Captain's voice announced. "Have you forgotten about our appointment in my Ready Room?"

This time, B'Elanna openly stared at the pilot. Like everyone else on the Bridge. A crewman in Command Red relieved Paris at the Helm. And the latter made his way to the Captain's Ready Room. The moment he disappeared inside, B'Elanna sent a second message to Harry's station. "What was that about?"

Seconds later, Harry's response flashed across her console. "Have no idea, Maquis. Will ask Tom later."

B'Elanna eventually found herself forced to contemplate upon the meeting inside the Ready Room, between the pilot and the starship captain. She admitted to herself that the meeting could be innocent. But when Paris failed to reappear on the Bridge after ten minutes, B'Elanna became suspicious. Another five minutes passed and yet, Janeway and Paris remained inside the Ready Room. B'Elanna glanced at Harry, who shrugged. Then her eyes rested upon the First Officer. Who casted uneasy glances at the Ready Room's door.

After twenty more minutes passed, those doors finally opened. Tom Paris strode onto the Bridge, wearing a satisfied smile. He tugged at his jacket and relieved the pilot at the Helm. The Captain emerged two minutes later, looking quite happy and unusually bright. One look at the pair and B'Elanna immediately rejected any idea of an innocent meeting. Something had just occurred between Paris and Janeway. Something that had nothing to do with the ship's business or Starfleet protocols.

* * * *

"What?" Harry stared at B'Elanna with disbelief. So did Seska, Henley and Ensign Lang. The five crewman had gathered at a table inside the Mess Hall for dinner, that evening.

The Chief Engineer repeated her speculations about Janeway and Paris. That the two might be involved in an affair. "C'mon Harry! You saw what happened on the Bridge, today! Why would Paris remain in the Captain's Ready Room together for over a half hour? Thirty-five minutes, Harry! And don't tell me that it had something to do with what happened on Banea. That was nearly two weeks ago!"

"The real question should be," Seska added, "why would you care?"

B'Elanna stared at the Bajoran. "What?"

Seska continued, "I can understand why Henley would be upset." The pilot responded with a glare. "But why are you upset, B'Elanna? You don't like Paris. You've barely given him a thought since we arrived in the Delta Quadrant. Why do you care whether or not he's having an affair with Janeway?"

All eyes focused on the half-Klingon. B'Elanna squirmed under their scrutiny. What could she say? That the lovemaking in Cabin Nine-I was keeping her awake? Or that she was having erotic dreams about her and the chief pilot? "I don't like the idea of us suffering, due to some illicit affair between those two," she finally answered.

A brittle laugh escaped the Bajoran's mouth. "Oh B'Elanna! You are so naïve!" The Chief Engineer winced under the latter's derision. "I doubt that 150 crewmen are going to suffer over some tawdry affair Janeway might be having with Paris! Unless she becomes pregnant or something. I may not like the woman very much, but I can't blame her for wanting a little comfort to ease her loneliness."

"Seska's right," Henley added. "After all, Chakotay's romance with her didn't hurt us." She remained stoic under the Bajoran's dark glare. "Of course in the Captain's case, I cannot see why she would even have . . ." Her voice dimmed to a whisper. B'Elanna noticed the slight jealousy in her voice. Obviously, Mariah also became aware of it.

Seska smiled. "What were you about to say, Mariah?"

Fortunately for the ex-Maquis pilot, Harry and Deborah Lang seemed more interested in defending Janeway's honor than in any jealousy on Henley's part. Lang stoutly declared that Captain Janeway would never break Starfleet protocols by fraternizing with someone under her command. "It's against regulations," she added.

"Actually, it's not," Harry corrected. "But it's not encouraged. An intimate relationship between a starship commander and a subordinate might lead to . . . well, certain problems. Problems that might have a bearing on the conduct of any starship."

Seska snorted. "And knowing Janeway, she'd rather die with her ideals intact than enjoy a little pleasure. So much for your theory, B'Elanna."

"Oh yeah?" the Chief Engineer shot back. "Then can someone explain why the Captain and Paris were in the Ready Room for at least a half hour? And why they were smiling, when they left?"

* * * *

"We had tea," Tom explained to his lover, the following afternoon. They laid stretched on the bed, inside Cabin Nine-I, with their naked bodies pressed against each other's. "The Captain had invited me for tea." He leaned toward her and nipped the side of her long neck.

She managed to scoff and moan at the same time, while Tom continued to nuzzle her neck. "You've got to be kidding! Why would . . . ah!" He bit into that sensitive junction where the shoulder and neck met.

"I think the Captain considers me her little reclamation project. We were suppose to have tea after the shift, but the Captain had another matter to deal with. So," Tom's hot tongue flickered across the hollow of her neck, "she rescheduled it for a little earlier." He sat up and lavisciously eyed the stunning body beside him. "If you think something is going on between us, you're mistaken. Captain Janeway is not the type to make out with a subordinate, just several feet away from the Bridge. That's just plain idiocy."

Slender hands trailed up Tom's chest. Her fingers slide through the chest hair. "You seem very defensive about her."

A malicious smile touched Tom's lips. "What's the matter? Jealous?"

Her hands grabbed a handful of chest hair and pulled, causing Tom to wince. "Don't insult me, Paris. I don't take kindly to any disrespect."

Tom jerked her hand away and gave it a hard squeeze. This time, it was her turn to wince. "Let's get something straight," he murmured. "Unless I'm on duty, I am not in the habit of jumping through hoops for anyone. At least of all, for you. I've had enough of that in my life."

"Then why are you here?"

"For a good, fuck. What did you think? Because I'm madly in love with you?" Tom retorted.

She threw back her head and laughed. Out loud. Her laugh immediately died as Tom covered the mound between her legs. He inserted two fingers into her hot flesh. She let out a gasp, as her body jerked automatically. "Gods! I hope you're not in love," she said breathlessly. "What would be the fun in that?"

Smiling, Tom removed his fingers and gently forced her legs apart. Then he took her by surprise by ramming his member into her. She let out a cry and her body arched upward. Tom's thrusts became deeper. Harder. He leaned forward and covered one tantalizing breast with his mouth and began to suckle. And her cries grew louder.

* * * *

Unbeknownst to the occupants inside Cabin Nine-I, a certain chief engineer had slowly made her way to her quarters, two hours earlier than usual. She would have remained in Engineering a bit longer, but a shortage in one of the EPS relay circuits led to a slight electrocution and minor burns.

One of B'Elanna's engineers had beamed her into Sick Bay. There, the Doctor treated her injuries and gave her an anaglesiac for the pain. He also ordered her to return to her quarters for a long rest. B'Elanna's first instinct was to ignore the EMH's order. Unfortunately, he threatened to inform both the Captain and Chakotay if she did not obey.

Feeling slightly dazed from the medication in her bloodstream, B'Elanna eventually stumbled into her quarters. She peeled off her uniform and headed for the bedroom. Just as she was about to sink onto her bed, voices drifted from next door.

"Oh! Oh yes! Oh spirits! Don't . . . don't stop! Don't . . . oooh! Oh yes! Aaa . . . aaah! Yes! Don't . . . oh! Oh To-ooo-omm!" The orgasmic cry snapped B'Elanna out of her fog. She had not heard such a cry in over two weeks. Before Paris's murder conviction on the Banean homeworld. Her eyes closed and she sighed.

Muted laughter reached B'Elanna's ears. Apparently, Paris and his . . . "mate" had finished. She had hoped that news of Paris's affair with that Banean woman would end the illicit trysts in Cabin Nine-I. Harry must have informed Paris about her knowledge of the affair, leading the pilot to use the cabin a few hours earlier. No matter. B'Elanna had finally figured out a way to kill two birds with one stone - learn the identity of Paris's lover and get even with both for keeping her up at nights. Just before Paris and Harry's mission to Banea, she had installed a holovideo monitor in Cabin 9-I.

B'Elanna had forgotten about the monitor - until now. She planned to upload a recording of this afternoon's activity into the ship's computer. Or better yet, transform it into a holoprogram. And finally allow the crew an intimate look of Lover Boy Paris in action. It should be the talk of the ship for months to come.

* * * *

Like many of her plans in life, the one to expose Tom Paris and his lover did not proceed as B'Elanna had expected. The following morning saw more problems in Engineering. More malfunctions with the EPS conduits led to repairs that lasted nearly an entire day. By the time B'Elanna and her staff finished the repairs, she was too exhausted to even think about the video recording.

The following day, Voyager came across an M-class planet that provided the crew an opportunity to stock up on foodstuffs and other supplies. Also, both Chakotay and Seska had a near-fatal encounter with a group of Kazons. The latter continued to weigh on the crew's mind, when Voyager responded to a distress signal from one of their ships. B'Elanna made up part of the Away team that discovered not only a ship filled with dead Kazons, but also Federation technology that was not properly integrated into their system. Someone aboard Voyager had given Federation technology to the Kazon without Janeway's knowledge.

No one had been more surprised than B'Elanna when Tuvok and Chakotay revealed the culprit, the following day. Like many of the other former Maquis, B'Elanna assumed Joe Carey to be guilty. They believed he wanted revenge for being passed over for the position of Chief Engineer. Instead, Seska - one of her closest friends - turned out to be guilty. Even worse, the latter was revealed to be a Cardassian, surgically altered as a Bajoran, in order to infiltrate Chakotay's Maquis cell.

B'Elanna felt humiliated and betrayed. Chakotay might feel even worse, but that knowledge did not lessen her feelings. She tried to alleviate her mood with an evening trip to Sandrine's. But the idea of listening to smug 'Fleeters berate the Maquis for allowing a Cardassian spy in their midst did not appeal to her. She needed something else to relieve her anger.

Then she remembered. Tom and Cabin 9-I. At first, B'Elanna wondered if she wanted to watch a vid of Paris having sex with a crewmember. Witnessing his little bout with Mallory Aiwa had been bad enough. But, dammit! She had to do something! Brooding over Seska's betrayal did not help her mood. So, B'Elanna switched on her computer console, entered a few codes and uploaded the recorded images from the monitor next door. Satisfied that she had completed her task, she played back the images. What she saw nearly sent her into a state of shock. How could Tom Paris end up in an affair with her?

The plans to reveal the recording to the crew became null and void. B'Elanna did not kill her plans out of any feelings toward the lovers on the screen. She simply did not want to embarrass or hurt a friend. And revealing this to the crew would do just that.

* * * *

Tom bent over the pool table and sunk his last ball into a pocket with ease. His opponent groaned. "Your game is really improving, Tommy," Gaunt Gary commented with a sigh. "Maybe just a little too much. When did you learn that maneuver?"

"From watching you," Tom replied. "I only learn from the best." The hologram grimaced.

With the exception of a handful, only holographic characters like Gaunt Gary and Sandrine filled the Marsaille tavern that evening. Although Tom had left the program opened to the entire crew, three crewmen other than himself, had bothered to show up. Ensigns Lang and Ashmore only hung around for an hour, before leaving. Crewman Henley sat in a corner table with a few of the program's characters. It seemed the ex-Maquis preferred their company to his.

Henley and the other Maquis must still be in a state of shock over the revelations about Seska. Tom did not blame them. He felt the same. That she would hand over Federation technology behind Janeway's back did not really surprise him. The shock came from news that Seska had been a Cardassian in disguise. A Cardassian with the Obsidian Order. That meant . . .

The tavern doors opened. B'Elanna Torres strode inside, causing Tom to groan inwardly. She waved at Henley, glanced at Tom and headed toward the pool table. Much to the pilot's dismay.

"We-ell!" Gary proclaimed. "Look who's here! Wanna game with me, honey?" He oogled at the Chief Engineer, who fixed him with a deadly stare. If looks could kill, B'Elanna's glare would have destabilized Gary's matrix by now. "On second thought," the pool player added in a shaky voice, "maybe I had enough for this evening. See you, Tommy." He gave a quick wave and headed for Henley's table.

Torres stared coolly at Tom. "Up for another game, Paris?"

Tom frowned. "You want to play? Against me?" he asked.

"Why not? It's not like you've been beaten before."

A tart smile curled Tom's lips. "Yeah, but I don't see the Captain around, anywhere. And you're not exactly in her league."

"Rack 'em, Flyboy!" Torres snapped back. "And be prepared to have your ass kicked!"

Again, Tom smiled as he set up the balls for another game. Granted, he was not particularly fond of the half-Klingon. However, he had to admit that he found her to be a fascinating personality. And a very beautiful woman. His eyes roamed appreciatively over her slim body. But even better, she was, at best, a mediocre pool player.

Sure enough, the pilot proved to be more than a match for the engineer. The latter managed to sink in a ball or two during the game. But in the end, Tom emerged victorious. "Another game," Torres imperiously demanded.

"Look Torres, why don't we end this evening on a good note? If we play another game, it will only end embarrassingly for you. Trust me."

Dark eyes challenged Tom. "Don't count on it, Paris. I plan to make this next game unpleasant for you. C'mon, rack 'em up!"

Tom gave the engineer a long, cool look. "What's going on, Torres? You usually try to avoid my company. And now you want to shoot pool with me?" He paused, as an idea came to him. An unpleasant one, at that. "Has this something to do with Cabin 9-I?" he asked.

Anger replaced the challenging look in Torres's eyes. "Cabin 9-I?"

"Come off it, Torres! You know what I'm talking about!" Tom retorted. "Harry told me everything. Look, I had no idea that your cabin was next door. Nor did I realize you would hear everything . . ." Neither Tom nor Torres heard the tavern doors creak open. Or see the tall figure that entered, since they were facing the opposite direction.

"Believe me, Paris," Torres shot back, "I heard everything. Just tell me this. When you fucked Seska, did you ever realize that she was a Cardassian?"

A gust of breath left Tom's mouth. He stared at the half-Klingon in total shock. "Gods! How did . . .?" Tom finally recovered his voice. "How did you find out about Seska and me?" He tried his best to sound calm. "What did I do? Scream her name out loud?"

"No, she screamed your name," Torres responded. Tom almost blushed. "However, I didn't find out about Seska until I saw this." She removed a data chip from her pocket. "I had placed a video monitor in the cabin, nearly two weeks ago. And captured both of you in action."

Tom stared at the data chip. He wondered if the Chief Engineer planned to use it for some blackmail scheme. "By the way, I'm not in the business of blackmail," she added, as if reading his mind. "I don't stoop that low."

"Really? And what do you call placing that monitor in the cabin?" Tom shot back. "Why did you do it?"

Torres's stare became accusing. "Why did you sleep with Seska? Why her, Paris? It's bad enough she turned out to be a Cardassian. But you fucked her, even though she was suppose . . ."

"Suppose to what? Be Chakotay's lady love? As I recall, they broke up not long after he became First Officer. Something tells me that Seska didn't take the change in their relationship very well."

Disgust tinged Torres's voice. "And you just decided to screw her, so you could add one more notch on your belt. Is that it? Or was this your way of getting back at Chakotay?"

Tom smiled. He might as tell her everything. It would be interesting to see how she would react. "Actually, Seska caught me off guard, one night. When I was on Deck Nine. After that, she wanted to meet there, because it was convenient and she didn't have to worry about someone spotting me enter her quarters. Can't have a former Maquis be seen with Tom Paris. Granted, both of us could barely stand each other, but . . . I must say, she was great in bed. Something I had recalled from our time together in the Maquis."

A gasp left Torres's mouth, much to Tom's amusement. Bullseye. Her dark eyes grew wide with disbelief. "You mean to say that you and Seska were . . .?"

"That's right, Lieutenant. Lovers. Only, I wasn't the only one. Both here on Voyager and back in the Maquis," Tom added softly. "Seska had her little circle of lovers available, whenever she and Chakotay . . ." Suddenly aware of a third figure standing nearby, Tom glanced to his left and the words died on his lips. Trembling in rage, stood Voyager's First Officer. Torres's eyes followed Tom's and she gasped for the second time.

Chakotay stepped forward, rage reflecting his his black eyes. For a few seconds, Tom experienced genuine fear. Would he find himself in Sick Bay, covered in bruises and blood? He hoped not. Then again, he had endured beatings before.

"What others?" the older man demanded softly. "Who were the others, Paris?"

Torres stepped forward. "Chakotay . . ."

Tom took a deep breath. Squelched the fear within him. "I don't know," he curtly replied. "Why do you care anyway, Chakotay? You were never in love with Seska. Hell, you proved that when you dumped . . ." A bronze fist cut him off and sank into his gut. Another clipped him on the jaw and Tom fell back onto the floor.

Blood trickled from the corner of the pilot's mouth, as he remained sprawled on the floor. He could see the other figures, including Henley, drifting toward the pool table. Tom struggled to his feet and wiped the blood from his mouth.

"Thomas, are you hurt?" a concerned Sandrine asked.

Laughter, soft and bitter, rose from Tom's throat. "I'm fine, Sandrine. Just caught off guard, that's all." He faced the First Officer. "Good punch, Chakotay. I see that you haven't lost your touch."

"That was nothing, Paris," Chakotay growled. "I'm not through with you, yet."

Tom smirked, despite the pain from his bruised jaw. "If I were you, Commander, I'd drop the whole matter. Or else the Captain is going to start wondering why I have extra duty assignments. Or why I have to show up at Sick Bay for unexplained bruises. I am curious as to how you're going to explain this."

Chakotay retorted, "Explain all you want, Paris. It will be your word against mine. And I don't think B'Elanna or Mariah will be willing to testify on your behalf."

"Oh, I don't I'll need them. Don't forget the video monitors inside the holodeck. I'm sure they've recorded the whole thing. Unless you plan to tamper with them. Then again," another painful smirk touched Tom's lips, "knowing your penchant for truth and justice, you just might march up to the Captain's quarters and tell her everything." Tom paused. "Do you really want to do that?"

A long silence followed. Tom met Chakotay's stare with his own cool one. Finally, the First Officer let out something like a cross between a grunt and a snort. "You're not worth the effort," he said with disgust. Then he turned on his heels and stalked out of the holodeck.

* * * *

B'Elanna cried after the older man. "Chakotay!" But he did not hear. She whirled upon Paris and found him staring at her, coldly. "What? What is it?"

"Congratulations, Torres," he said softly. "Looks like you got what you wanted, after all. My humiliation. Only you got a friend humiliated as well. Tell me, why did you put that monitor in that cabin? Because we interrupted your sleep for a few nights? Why in the hell didn't you just let it go?" He walked out of Sandrine's, rubbing his jaw.

Henley walked up to B'Elanna. Her gray-blue eyes expressed concern. Curiosity. B'Elanna, are you okay?"

"Yeah," the other woman murmured.

"What was that about?"

Revenge gone wrong, B'Elanna silently replied. She kept the response to herself. Along with the memory of Chakotay's humiliation . . . and Paris's contempt. Then she took a deep breath. "Nothing. Nothing at all."



THE END

"AROUND THE WORLD IN 80 DAYS" (2004) Photo Gallery

Below is a gallery from the 2004 adaptation of Jules Verne's novel called "AROUND THE WORLD IN 80 DAYS". Directed by Frank Coraci, the movie starred Jackie Chan, Steve Coogan, Cécile de France, Ewan Bremmer and Jim Broadbent:


"AROUND THE WORLD IN 80 DAYS" (2004) Photo Gallery